Bio
During the private viewing of Fernando Landovitch's retrospective, three amateurs, weary of the endless aphasia
surrounding them, discovered a common ground for their individual researches in musical art. Sharing a similar
interpretation of the great Vladislav Bauer's masterworks, they decided to emerge together from the current
cacophony under a promising name: Velma
A self produced album (Rythmique) was quickly followed by appearances on various compilations (see
discography below). These first foundations gave Velma the opportunity to give several gigs in Switzerland and
in Europe. In summer 1999, the band signed on the Californian label Emperor Norton Records for the release of
Cyclique, which came out in October 1999. Cyclique was released in Europe through the labels Noise Product
and Namskeio Records. In March 2000, Parole, a 12-inch record presenting the latest recordings of the band was
released on Stetic Records.
Parole was reissued in CD format on M Narsitik Records under the name Panoramique. This release features
remixes from Ma chérie for painting (Germany), Köhn (Belgium), Alog (Norway) Bruce Gilbert (UK),
Pluramon (Germany), Jan Jelinek (Germany) Terre Thaemlitz (Japan) and Liryc (Switzerland).
Recorded in the South of France in June 2002 and produced by London-based Mark Van Hoen (Locust, Seefeel,
Mojave 3, Scala, Annie Williams, Sing-Sing), Ludwig, Velma’s third album is the long-awaited follow-up to
Cyclique. This collaboration allowed the band to tune its sound towards a more “pop” feeling. Ludwig was
released in Switzerland in October 2002 (M Narsitik), in Italy in June 2003 (White and Black) and finally
throughout the rest of Europe during the Fall of 2003, with a license deal with Belgian label Zealrecords.
Ludwig’s announcement was closely followed by the release of a split single with New York’s hip hop band
Dälek. This vinyl 12-inch is published by M Narsitik Records and hit the stands in the end of 2002. In 2003
appeared a single vinyl on French label Lykill: A different atmosphere.
In October 2005 the fourth album of the trio La pointe Farinet 2'949m. was released on two different labels: on
French Monopsone and on Swiss Gentlemen. Also produced by Mark Van Hoe this one is haunted by heavy and
dirty and hip hop loops. La pointe Farinet, 2'949 m. contains some intense moments such as Metropolis (a cover
of Mötorhead) and Voices of the Ether another collaboration with Dälek.
surrounding them, discovered a common ground for their individual researches in musical art. Sharing a similar
interpretation of the great Vladislav Bauer's masterworks, they decided to emerge together from the current
cacophony under a promising name: Velma
A self produced album (Rythmique) was quickly followed by appearances on various compilations (see
discography below). These first foundations gave Velma the opportunity to give several gigs in Switzerland and
in Europe. In summer 1999, the band signed on the Californian label Emperor Norton Records for the release of
Cyclique, which came out in October 1999. Cyclique was released in Europe through the labels Noise Product
and Namskeio Records. In March 2000, Parole, a 12-inch record presenting the latest recordings of the band was
released on Stetic Records.
Parole was reissued in CD format on M Narsitik Records under the name Panoramique. This release features
remixes from Ma chérie for painting (Germany), Köhn (Belgium), Alog (Norway) Bruce Gilbert (UK),
Pluramon (Germany), Jan Jelinek (Germany) Terre Thaemlitz (Japan) and Liryc (Switzerland).
Recorded in the South of France in June 2002 and produced by London-based Mark Van Hoen (Locust, Seefeel,
Mojave 3, Scala, Annie Williams, Sing-Sing), Ludwig, Velma’s third album is the long-awaited follow-up to
Cyclique. This collaboration allowed the band to tune its sound towards a more “pop” feeling. Ludwig was
released in Switzerland in October 2002 (M Narsitik), in Italy in June 2003 (White and Black) and finally
throughout the rest of Europe during the Fall of 2003, with a license deal with Belgian label Zealrecords.
Ludwig’s announcement was closely followed by the release of a split single with New York’s hip hop band
Dälek. This vinyl 12-inch is published by M Narsitik Records and hit the stands in the end of 2002. In 2003
appeared a single vinyl on French label Lykill: A different atmosphere.
In October 2005 the fourth album of the trio La pointe Farinet 2'949m. was released on two different labels: on
French Monopsone and on Swiss Gentlemen. Also produced by Mark Van Hoe this one is haunted by heavy and
dirty and hip hop loops. La pointe Farinet, 2'949 m. contains some intense moments such as Metropolis (a cover
of Mötorhead) and Voices of the Ether another collaboration with Dälek.
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Location: Switzerland
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Member Since: Sep 28, 2007






[cc of my note to Nixe follows]:
Nixe, you overwhelm me with your detailed comments on my playlist, Epic/Experimental Sounds. In truth, this complilation grew iteratively "like Topsy" after I put together three or four pieces that seemed to have a common theme that reasonated with one part of my minds-ear which is given to open spaces and limitless horizons. I then kept adding, re-arranging, and even dropping songs [as in the good old days on a rainy Saturday afternoon sorting through those vinyl round things called "records" now, sadly, in storage] to reinforce and add nuance to that feeling that I think is universal and hard-wired into our DNA. [You or listeners of this playlist may find of interest the link to a separate blog thread (just provided) that makes for thought-provoking reading, particularly as this playlist is all the while reasonating in the background!]
Your own perspectives will greatly aid the current and, hopefully, growing listeners of my "Epic Sounds" playlist [whoever they may be] in appreciating what was, to me, an intuitive effort to combine a sense of grandeur and adventure [caravans and sweeping vistas of the mind and spirit] with innocence [which was, indeed, why I added "Baibaba Bimba" - what an uplifting piece.] Both the "externalized and internalized sense of universal wonder" as you well describe the over-all intent of the playlist was created in positive counterpoint and marked contrast to much of what is dark and brooding in our music today - also, for a reason [but that is another subject].
Thank you for sharing such experienced aural and intellectual sensibilities with the listeners of these pieces who can now take their own view of the combined works of these artists to another level. To me, as I tinker with this list, it can only get better.
On my side, I will now try to pull in the artists who make up this evolving list to add commentary if they wish. I hope some of them will, but, of course, that will be up to them as I can appreciate that many artists prefer for each piece to speak for itself. To me, the "name of the game" to advance music in the web-based era, however, is increased, rather than diminished, engagement between artist and listener. Let's see what happens next here [if anything] as I "copy and paste" this blog thread on the artists' sites.
Again, many thanks.